Savremena američka drama na novosadskim scenama od 1958. do 2017. godine
DOI:
https://doi.org/10.18485/analiff.2018.30.2.6Keywords:
američka drama, novosadska pozorišta, Judžin O'Nil, Tenesi Vilijams, Artur Miler, Sem Šepard, Edvard Olbi, Dejvid MametAbstract
U našem radu, istražićemo period od 1958. kada je izvedena prva drama (Tetovirana ruža Tenesi Vilijamsa) pa sve do 2017. godine. Istražićemo američke drame na novosadskim pozornicama. Akcenat će biti na dva novosadska pozorišta, Srpskom narodnom pozorištu i Novosadskom pozorištu, dok se posebna pažnja neće posvetiti Pozorištu mladih, osim gostovanja koja će biti pomenuta u ovom radu. Od svih modernih američkih pisaca, najčešće su izvođena dela: Judžina O'Nila, Tenesi Vilijamsa, Artura Milera, Sema Šeparda, Edvarda Olbija i Dejvida Mameta. Glavni cilj ovog istraživanja biće recepcija njihovih dela na novosadsku publiku. Pokazaćemo kada, kako i pod kojim okolnostima su komadi navedenih pisaca prikazani i kakav su uticaj imali kod publike, zašto su neke drame i dalje aktuelne, a zašto se druge više ne prikazuju. U izradi rada koristićemo pozorišne godišnjake, novinske članke i kritčke osvrte, pozorišne anale i arhiv Sterijinog pozorja.
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