Subjektivnost i modernizacija — potraga za sopstvom u međuratnoj japanskoj kulturi
DOI:
https://doi.org/10.18485/analiff.2019.31.1.19Keywords:
Japan, modernizacija, subjektivnost, umetnost i politika, avangardaAbstract
Dok je na Zapadu pojam subjektivnosti bio predmet viševekovnih rasprava u znaku filosofskog načela modernosti, u japanskoj kulturnoj taj pojam dobija poseban značaj tek u posleratnom periodu, kada postaje jedna od gorućih tema japanske filozofije i književne teorije u okviru tzv. „debata o subjektivnosti“ (šutaiseiron). Šezdesete godine minulog veka tumače se kao prelomni period u kojem su japanski umetnici konačno stvorili svoj autentični avangardni jezik, čija originalnost može da se meri sa savremenim strujanjima na Zapadu. Međutim, oštra podela na posleratnu „progresivnu“ i međuratnu „derivativnu“ umetnost, kao i „retorika kaskanja“ za Zapadom predstavljaju istorijsku simplifikaciju. Ona previđa dostignuća japanskih umetničkih kolektiva i pojedinaca koji su samostalno, ili u dosluhu sa evropskom avangardom, nalazili subverzivne potencijale za kreativno izražavanje kroz aktivan otpor društvenom i političkom establišmentu.
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