Nevinost djece i tajni životi odraslih u prozi Flannery O’Connor
DOI:
https://doi.org/10.18485/analiff.2019.31.2.1Keywords:
Fleneri O'Konor, gotika, Mudra krv, Hram Svetog Duha, djeca-protagonistiAbstract
U O’Connorinom romanu Mudra krv, kao i u pripovijetki „Hram Svetog Duha“, dijete-protagonista susreće se sa nekom tajnom života odraslih. Gotska fikcija, kako dokazujemo, uvijek podrazumijeva perspektivu nevinosti koja omogućava da priča ostane trajno nerazumljiva, fragmentirana, a time i zastrašujuća. Gotska narativna perspektiva se uspostavlja tek tamo gdje postoji neka netransparentnost, neki „mrtvi ugao“, zagonetka u pogledu prirode svijeta i ljudi, nešto neodgonetljivo i mračno. Djetinjstvo je (u „Hramu Svetog Duha“ u kojem anonimna djevojčica prisluškuje nejasan govor o „dvopolnoj nakazi“ ili u Mudroj krvi u kojoj dječak Hazel Motes posmatra „zabranjeni prizor“ u cirkusu) postalo mjesto nevine perspektive iz koje se može vidjeti nešto od tajni odraslih, neka još uvijek mračna i nejasna istina o stvarnom životu i svijetu, govor ili prizor posredovan kodovima opreznosti, odlomcima prijetećih riječi. U ovoj vrsti proze, dječji pogled „goticizuje“ tajne odraslih. No, kod O’Connorove dešava se važan značenjski obrt: gotska „praznina“ ostavljena nepotpunim razmijevanjem popunjava se, neočekivano, modelima biblijske sakralnosti. Ove promjene epistemičke perspektive (iz gotske „epistemičke anksioznosti“ u biblijsko „otkrovenje“) predstavljaju važnu osobenost proze Flannery O’Connor.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Vladimir M. Vujošević
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in the journal Anali filološkog fakulteta by the Faculty of Philology, University of Belgrade (Faculty of Philology, Studentski trg 3, 11000 Belgrade, Serbia). Author’s name will be evident in the printed article in the journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.