Postmoderni postupci, istorija i fikcija u romanu Nacistička književnost u Americi Roberta Bolanja
DOI:
https://doi.org/10.18485/analiff.2021.33.2.10Keywords:
Nacistička književnost u Americi, Roberto Bolanjo, postmoderna, istorija, fikcijaAbstract
Tema ovog rada jeste upotreba postmodernih književnih postupaka u romanu Nacistička književnost u Americi (1996) čileanskog pisca Roberta Bolanja, kao i odnos istorije i fikcije u pomenutom delu. Oslanjajući se na ključne postavke književne postmoderne koje su formulisali Džon Bart, Čarls Dženks, Umberto Eko i Žan-Fransoa Liotar, kao i na induktivnu i deduktivnu metodu, ispitaćemo na koji način i u kojoj se meri Bolanjov roman formalno i sadržinski odlikuje postmodernom poetikom. Fokusiraćemo se na konkretne postmoderne postupke u romanu kao što su subjektivnost, intertekstualnost, referencijalnost, prisustvo ideologije, tehnika palimpsesta, ironija, parodija, dekonstrukcija, fragmentarnost i repetitivnost. Pokušaćemo da objasnimo kroz primere iz romana zašto je sam postupak pisanja ovog dela suštinski postmoderan. Pozvaćemo se i na formulaciju poetike postmodernizma Linde Hačion, pre svega po pitanju odnosa istorijskog i fikcionalnog u književnosti u doba postmoderne, kojim se dovode u pitanje nekada čvrste kategorije poput identiteta, autora, znanja, fikcije i stvarnosti. Pokazaćemo da spoj istorijske stvarnosti i fikcije predstavlja suštinu Bolanjove postmoderne poetike i da takvom poetikom čileanski autor briše granice između istorijskog i fikcionalnog. Bolanjo se poigrava istorijom, književnošću i naukom o književnosti. Prividno se udaljavajući od realnosti, ovaj književnik zapravo ukazuje na suštinske društveno-istorijske probleme Latinske Amerike.
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