Transformacija mita o Edipu u drami Slepac Huga Klausa
DOI:
https://doi.org/10.18485/analiff.2021.33.1.14Кључне речи:
mit, Edip, oceubistvo, incest, slepilo, kuga, nuklearna katastrofa, teorija intertekstualnosti, ŽenetСажетак
Mit o Edipu i u XX veku neiscrpan je izvor inspiracije. Flamanski pisac
Hugo Klaus dao je 1985. svoju varijantu čuvenog mita u drami Slepac (Blindeman). Reč je o parodiji na Senekinu dramu Edip na koju se Klaus oslanjao prilikom pisanja svoje verzije. Drama Slepac smeštena je u kontekst XX veka. Radnja se odvija u Gentu nakon nuklearne katastrofe. U pitanju je reinterpretacija originalnog mita u kome grad Tebu zahvata kuga, dok u drami Slepac grad Gent pogađa kuga savremenog doba izazvana nuklearnim ratom. Što se kompozicije drame tiče, Klaus koristi tehniku drame u drami. Preživeli igraju predstavu „Edip“ i tako Klaus povlači paralelu između priče u sadašnjosti i junaka iz pomenutog mita. Svaki lik u drami ima svoj pandan u mitskoj priči i igra dvostruku ulogu. Imena su prepoznatljiva i po tome što počinju istom slovom ili slogom kao u mitu: Omer, Jolanda, Lano, Tite. Klaus se tokom čitave drame poigrava mitom. Tako npr. u njegovoj obradi Jokasta od samog početka zna da je Edip njen sin. Teorijsku podlogu u radu činiće postavke teorije intertekstualnosti Žerara Ženeta.
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